Question on fabric copyrights.

I've received some questions and thought I would take some time to answer them in a series of short blog entries.

Lara asked a question on fabric copyrights.

I wonder if you can help!?  I came across your blog and a similar thing happened to me - I make bags and was sold fabric for the bags that infringe on a large company's design rights.  I have now found some different fabric and am wondering how I can double check that it is not copyrighted to anyone - do you know how I can check this?

In the US, fabric that is sold is subject to the First Sale Doctrine, meaning you can use it as you choose. The exception to this is if the image contains licensed images or trademarks. An example of this would be a team logo or recognized cartoon character. Though even the use of fabric with licensed images is up for debate.* This right is currently being challenged as we speak at the US Supreme Court, which if the judges rule a certain way threatens this right. It would probably upend business as we know it.

Anyway, the current trend among textile surface designers is to license their designs to fabric converters (such as Michael Miller, as an example) while retaining all their copyrights. They seem to be ok with personal, home use of the fabric printed with their designs, but they don't like their designs being used on commercially made products without their permission. The idea is certainly in conflict with the First Sale Doctrine.

There have been instances of copyright and trademark infringement on fabric in the US. In those cases, the design on the fabric was copied and printed outside the distribution and control of the original designer and/or fabric manufacturer.

I think the situation presented in this question is a bit complex and I don't know enough of the details to offer much help. I think Lara may be from the UK? In which case there are different issues at play. The UK and European Union have seized on the idea of design rights and patents. In that case, a fabric print in combination with a specific product can be protected. I don't know how you can check on the copyright status or design rights of a particular print. You would probably have to rely on the integrity of the fabric supplier. In any event I think it would be difficult to ever know for sure if something was ok to use.

In the US, the answer is similar. Fabric prints have traditionally not been registered with the US copyright office. Designs, as in completed items like a dress, are not protected. So, you must rely on the integrity of the fabric supplier to supply fabric that is available for the use you intend. Intellectual property lawyers may be able to help, but I don't how many are versed on the complexities of the textile and fashion industries. Unfortunately, if the above trends continue (and if certain legislation is passed) the need for an IP lawyer will become a requirement for designers.

*If you can look past the hyperbole of the Tabberone site, they do make some interesting points.

The blouse pattern revisited : recutting tagboard pieces

About a year ago I cut my blouse pattern out of tag board. I had cut the interior of the darts out because I thought it would be more convenient to just trace the dart onto the fabric. Sometimes this is done in the industry, but there is a better way. Anyway, this didn't work out very well.

So after I had made my most recent modifications, I recut the front and back blouse pattern pieces. This time I drew the darts in with the addition of drill holes. You can't really see them in the photo, but I used an awl to poke holes into the tag board. A pencil tip fits into the holes to mark the dart on the fabric. This should work better

Now I'm finally ready to buy some more fabric for blouses.

Book Reviews : Dressmaking, Collette Sewing Handbook, and Burdastyle

Our library recently acquired three new how-to-sew books. Sewing is picking up in popularity and the numbers of books coming out about sewing reflect that. I took some time to flip through them and here are my thoughts. All of these books give the impression of being exhaustive in their subject. They are also project based meaning the how to sections are emphasized by the included projects.

Dressmaking


Published by DK, Dressmaking has the fantastic photography one comes to expect from DK. The book is written by Allison Smith who previously penned The Sewing Book: An Encyclopedic Resource of Step-by-Step Techniques also put out by DK. The layout and organization of Dressmaking is above average. The how-to photography is clear and easy to understand.

The projects are in the back of the book with additional instructions to complete each project. This means the how to section is designed to support the projects. So, you will have to flip back and forth to get a complete how-to. It also means that the how-to section is not comprehensive. You will likely need a more comprehensive how-to sew book such as the Reader's Digest Guide to Sewing to supplement what is missing. What is missing is the info to complete some other project not included in the book. Much of the information can be applied to other styles. But you may want to do a project with some design feature that requires a different technique, which is not included in this book. Thus the need for some other sewing manual. For advanced sewists, this is not a big deal, but then again an advanced sewist probably wouldn't need the how-to section anyway.

The styles are pretty basic. The graded patterns are printed on grids at the back of the book. This means you would have to enlarge them yourself. Since I didn't make up any of the styles, I can't tell you how accurately the patterns are drafted. I also can't comment on fit. You will almost certainly have to spend time testing the pattern in muslin. The process would be time consuming.

The biggest problem with this book is the binding. It is a large book and while the binding is sewn, it is cheap. Many DK books of this size fall apart with semi-regular use. In the library, we have replaced one very popular DK book several times, which begins to fall apart after only two circulations.

The Collette Sewing Handbook

Written by Sarai Mitnick, the book was written to support Mitnick's indie sewing pattern company Collette Patterns. The book is spiral bound, so it will lay flat when open. The layout and photography is also pretty good.

Mitnick spends time explaining her five basic principles: a thoughtful plan, a precise pattern, a fantastic fit, a beautiful fabric, and a fine finish. I only spent a few minutes reviewing the sections on fit and sewing. The information presented is pretty basic and you will need supplemental resources if you do not have the fit issues described. The sewing information is also basic but will at least help you sew the projects in the book. The patterns are apparently drafted for a C-cup, which means that if that is not you, expect alterations. The patterns are printed on tissue and included in the back of the book. I didn't take the time to check the patterns or sew them up as the styles didn't appeal to me.

Burdastyle

This sewing manual is written by Nora Abousteit, a Hurbert Burda employee and Alison Kelly, a Project Runway alum. The book is designed to support the Burdastyle website and Burda sewing patterns. The book is spiral bound so that it will lay flat when open with the patterns included in the back.

I have an admitted preference for Burda patterns because I have used some of them from the magazine. They are usually drafted pretty well, though the instructions are very anemic, which is a challenge for beginners. This book explains how to use the Burda patterns from the magazine. It explains the pattern notations, how to trace off the patterns, and how to add seam allowances. Burda patterns are based off a European sizing system. It is important to measure yourself to find the appropriate size on the Burda size chart. Unfortunately, the how to measure instructions are pretty pathetic with simple, flat line drawings. The sewing instructions are pretty basic.

There is one thing that I really liked about this book. The book encourages the reader to experiment and redesign the styles. There are only four projects in the book, but the reader is shown several variations. There are instructions for a project with no alterations and then there are instructions for a variation. Additional variations are show in a photograph with no additional instructions in the hope the reader can figure them out on their own. The variation with instructions demonstrates how to alter the patterns to achieve the desired effect. I like how the authors encourage their readers to experiment and play because I feel that is the best way to learn. I think this may be a challenge for beginning or brand new sewists.

I think most of the projects are pretty achievable. I didn't sew any of them up because the styles didn't appeal to me. The jacket would be the most challenging project, especially the variation.

A few final thoughts

All of these books will help either a beginning or intermediate sewist with lots of hand holding for the included projects. Though, I expect there will be some frustration with the patterns and some of the instructions. Additional support material is definitely required for more complete coverage of the subject. The Reader's Digest book is still a gold standard due to it's comprehensive nature. Older how-to sewing books are also better. There really isn't anything new presented with the exception of the included patterns.

There is one popular book that I have not reviewed and that is Gertie's New Book for Better Sewing. The primary reason is that I don't have access to a copy and a full review would be unfair. But, I am admittedly biased against the book already. The content is just an updated version of previously available information. Gertie got her start by working her way through a Vogue sewing manual, and that is the primary source for her book. Some of her tutorials found on her blog have been lifted off of at least one other website. Also, from what I have heard, Gertie is the fit model for the included patterns, which are then graded up and down. If you aren't Gertie, then expect needing to make adjustments.

A question on newborn sewing patterns

Pam had this question

Supposedly the XXS size on commercial patterns (McCalls, Simplicity, 
Butterick) is supposed to be for babies 7 lbs or less, but they swallow 
newborns up.  If you read around the Internet, there are lots of frustrated 
grandmothers and mothers-to-be that want to sew for their new or expected  baby, but can't find a pattern that will fit.  I read that doll clothing  patterns don't work because the neck is wrong for a human infant. I tried buying vintage layette patterns from Etsy and they were just as bad.  I  want to know how to downsize a commercial XXS dress or romper pattern so it fits a NEW 7-8 lb baby.

I had similar challenges sewing an infant shirt from a Butterick pattern. You are right that the sizing is just not right. You are also right that doll clothing patterns are not proportionally correct either.

There really is no easy way to fix the sizing issue. Perhaps the easiest would be to fold out some of the extra width and length to make the pattern smaller? Maybe try grading the pattern smaller -- though that won't solve the other problems that probably exist in your pattern. I can't really tell you how much to reduce the pattern because I don't know what pattern you are using. Even then, it would hard to advise you because I ended up redrafting the pattern I used above to even get it to work right.

One suggestion is to go to a thrift store and buy clothing in the size you want, take it apart and trace it off. Don't forget to add in proper seam allowances - as the existing seams have probably been trimmed off.

Some more grading questions

I received some more grading questions.

Grading by Pattern Shifting

I am wondering what you think of the section in Aldrich's book about grading?  It seems like a simplified method in some ways and so I am wondering if for someone simply making the patterns (instead of the clothes) might this method do just fine?

 There are different approaches to grading. Aldrich's "method" is similar to Handford, just presented in a different way. The movements of the pattern pieces is done in basically the same way as Handford. I have not graded a pattern using Aldrich's method, but I don't see that it would be a problem. Just keep in mind that her grade rules are based off her own sizing study of a British demographic. It may or may not work for your customer profile.

DIY or hire a pattern grader

Its not that I am adverse to putting in the extra time, but sometimes I wonder to myself if I am doing way more work than necessary in order to avoid "cutting corners" and making a product that in the end is below par.

I've been grading patterns for over 15 years. I'm still learning. If you want a superior product, you will have to spend the time learning how it's done and gain necessary experience. People in business either hire someone to fill a knowledge or time gap or they spend a lot of time learning in the school of hard knocks. Grading is not especially difficult, but it does take time and effort to learn it. The best way to learn is by trying and doing. I don't mean to sound harsh, but there is no magic book or trick that will help you get what you want faster.

Can I grade patterns with Adobe Illustrator?

I am not drafting/grading using a cad program but am doing all my work by hand and in Adobe Illustrator if that helps you answer my question better.

A lot of people ask me if they can use Adobe Illustrator for pattern making and grading. I suppose you could but to be honest, it's not for the faint of heart. I know there are indie pattern makers using Illustrator to do what you describe. But as a professional pattern maker and grader, Illustrator does not provide the level of accuracy and control that is needed for superior results. If given a choice, I would do all of my pattern making and grading by hand, or in other words with a pencil and paper.

Now there are pattern companies that draft their patterns either in CAD or scan in hand drafted patterns and add all the extra notations in Illustrator. The Big 4 do it that way. No problems there.