Showing posts with label Golden Mean. Show all posts
Showing posts with label Golden Mean. Show all posts

April 18, 2008

Grading Complex Styles pt. 2

Part 2 of this series continues the discussion of how to grade complex styles. It is not necessary to have the Handford book to understand the concept, but some experience with grading would be helpful.

This part of the series was going to contain a lot of explanation with lots of examples. There are two reasons that I held off on that. The first is I am considering writing a book on the subject. I am sure it will be a best seller and I will be able to retire early [eye-roll]. The second is that it would be impossible to discuss every possible scenario. It would be best to explain the principle and let you work out your specific grading problem on your own. You will benefit with having to struggle with the material and learn lots in the process.

Just a side note, these pieces have been simplified, no darts or extra gathers. I am also ignoring the seam allowances. The grading is done the same way regardless. This demonstration only shows how to figure out a length grade. The same principle works for widths.

Anyway, let's move on to the examples....

Graded nest of a bodice pattern piece

Bodice pattern split for a midriff

In order to grade a complex style, you need to have basic blocks that are already graded. On top I have a basic block that is already graded. Below that is my ungraded pattern pieces for a bodice with a mid-riff.

Measuring the difference in length between sizes

There are many ways to determine the total length grade. In this case, I just want to know what the length difference is between the graded basic block and the ungraded pieces. I want to grade my pieces up to the next larger size. To do this, I just lay the ungraded pattern pieces on top of the next size and align the pieces along the horizontal and vertical axis. My drawings are missing the horizontal, but you can pretend there is a line that runs from the side-seam/armscye points across the pieces. BTW if you would rather, you can figure all this out mathematically....

Once you know the length grade difference, you can then decide where you want that length growth to occur on your ungraded pattern pieces. In the examples below, you can have that length split between the two pieces or all of it in one piece or the other (shown in red).

Growth split between the top and bottom pieces

Growth occurring only with the top pattern piece

Growth occurring only with the bottom pattern piece

The question you have to ask is:

How much should a seam move to maintain proportions?


This is where the beauty of computerized grading happens. I can play with the grade as much as I want - plugging in different numbers until the proportions look the way I want for each size. Hand grading would be a little more complex. The more complex the style, the more difficult the grade can become when doing it by hand. Handford's suggestion to tape the pieces together with long strips of tagboard can work in hand grading. The grader will have to determine if additional grade points should be added and how much movement should occur. This can be done by using Handford's red lines of distribution. Sophisticated manipulation at each grade point can only occur in CAD.

Still the principle works the same regardless of how complex the style or method.

1. Determine your total length/width grades.
2. Calculate the length/width difference between sizes at the grade points.
3. Decide where the growth should occur by comparing the total grade and the difference between each size at the needed grade points. What proportionally looks correct? How is my fit affected?

May 18, 2006

Making a dress form pt. 2 : How to suspend it and checking measurements

I made some more progress this week on my infant dress form (sized 3mo). I created a stand from bits and pieces from the hardware store and spray painted it to make it uniform. I love my stand! The form, on the other hand, has presented some problems - ones I am not quite sure how to work out.


From the front, the form actually looks ok. The dress is one of my Hawaiian dresses, sized 3 mo. I know this dress fits because I have tried it on children. It may be hard to tell in these pictures, but my first problem is the neck size. I drafted my pattern from Aldrich's measurements. Her neck base is at least 1" larger in circumference than all of my other size charts. IMO, it is too big and I will be making it smaller in my next draft. The neck of my dress is on the small side, however, and I will be adjusting it in my next line, although not much. When I did my fittings, the moms actually commented on how the neck fit better than most RTW (which are usually too big!).


In these pictures, you can see how my form swings out from the bottom. The only adjustment I can think to make is to drop the back of the neckband at least 1/4", thus pulling the form into a straigher line. You can see how this may cause problems with checking the skirt.

You can see how large the neck size of my form is in comparison to my dress in this picture.


Another BIG problem is my measurements are all off. The girth measurements match a 12mo. The vertical trunk measurement matches a 6mo. I drafted my pattern in a 3mo with no ease. I can only assume that my measurements were thrown off from the fabric stretching while stuffing. This is probably why the professional forms use a heavy-weight linen fabric.

I think this project still has potential, but it is back to the drawing board. Plus, I need to try and find a medium/heavy-weight linen. I would appreciate any suggestions that you patternmakers may have out there?!

My other big project is designing my Fall/Holiday dresses. I am thinking about some red silk holiday dresses, just need to order some fabric and try not to fall too behind...