Natalie Christening Gown pt. 2 : Heirloom sewing details

I finished the gown a few weeks ago but have been busy with other projects; Chinese New Year, Valentine and DD2 second birthday. The gown came out very well for being my first heirloom project and would recommend this pattern (Natalie in Sew Beautiful issue 135 March/April 2011) to anyone else looking for a beginner project.

There was no lace insertion but strips of lace were sewn together to create a wide lace border at the bottom of the skirt. I used this website for tips and hints on how to do this.

I didn't have an edger foot for my machine and so I tried my blindstitch foot. It worked ok but in the end found I had better or more control with my regular foot. Decreasing upper thread tension is a must otherwise the lace will become puckery. The hardest row was the last one which was sewing a gathered lace edge to entredeux. I gathered the lace by pulling one of top header threads in the lace. I had to sew really slow and adjust the gathers as I went with a straight pin. The presser foot wanted to keep pulling out the gathers but it worked out in the end just lots of patience.

One change I made to the construction was finishing the edge of the dupioni skirt before adding the lace band. According to heirloom sewing, the lace would be attached using a narrow zigzag roll described here as flat lace to flat fabric technique. This method rolls the fabric very narrowly while attaching the lace. I have worked with dupioni and feared the unraveling would cause some problems with this, at least to my inexperience heirloom sewing skills. I instead opted to serge the bottom edge first and then overlap the top lace edge over the serger stitching with a narrow zigzag. I don't think anyone will notice.

Here is the end result, enjoy.

Update: Baby was blessed this last Sunday, June 2, 2013

Maria in her dress

A blouse refashion and study

I seem to be a woman obsessed with blouses. Ever since I set out to create a basic blouse pattern for myself, I've kept my eyes open to study many RTW blouses. I've made many purchases from the thrift store with varying types of details and construction. I purchased this blouse a few months ago. As it usually goes, there were many things I liked about this blouse while I tried it on in the fitting room but I did note it was a little too big.

The refashion part of this post is probably the least interesting and so I don't have any before photos. I pulled out my basic blouse pattern and measured across the back at the base of the armholes. I compared that measurement with the blouse and did some math. The blouse needed to come in 1.5 inches on each side seam. Hmmm. The blouse was much bigger than I realized and made me recognize that our perceptions of body shape and size are definitely skewed when in a store fitting room. Anyway, the sleeves are set in flat so I just sewed up each side, taking it in the needed amount.

As I worked on the alterations, I took some construction notes. The front button band is a cut 2 (or 4, 2 for each side). A ruffle is gathered to the band that faces out on the long inner edge. The bands are sewn together on the outside edge and then stitched to the front bodice on the reverse side. The band is then turned to the front and topstitched down. I suspect the ruffle is not pressed down prior to topstitching. I think the operator used the ruffle to pull the band flat, turning the seam allowance to the inside. There is probably some interfacing on the band piece with the ruffle. The whole operation leads to a neat, clean finished button band. The operator who made this is probably very skilled, especially with dealing the bias area near the neck band. Still, this process is easier than it looks.

The only problem with this style is the ruffle. Despite a good ironing with some starch, the ruffle wants to stand up and fall over the buttons. The blouse is still cute, but perhaps a narrower ruffle would solve that problem?

While the sleeves were set in flat, the sleeve cuff was set in the round. The cuff was attached from the reverse side and turned out and topstitched down. I don't believe there was any pre-pressing because you can see the operator used a stripe of the fabric as a guide to turn the seam allowances in. If I were making this, I probably would pre-press just because I don't have the practice. The collar neckband was constructed in the same manner.

Knitting - Isobel scarf

I finished spinning this yarn back in August. It's been waiting for me to decide what to do with it. A lacy scarf was what I wanted to make, but I also wanted to show off it's handspun goodness.

I tried 2 other patterns and finally settled on the Isobel. I love how the scarf turned out. It shows off the yarn well and is lacy and pretty. There is a subtle striping from the yarn because it is hand-dyed. But I don't really care, and it's not all that noticeable.